Wednesday 31 August 2011

UNENDING CONFLICTS?


Fanny Yefimovna Kaplan (February 10, 1890 – September 3, 1918), also known as Fanya Kaplan and as Dora Kaplan), was a Russian political revolutionary and an attempted assassin of Lenin.


Lenin bewigged and clean shaven,
Finland, 11 August 1917


On 30th August, 1918, Lenin spoke at a Moscow factory called "Hammer and Sickle". As Lenin left the building and before he entered his car, Kaplan called out to him. When Lenin turned towards her, she fired three shots. One passed through Lenin's coat, the other two hit him in the left shoulder and jaw.
Lenin was taken back to his living quarters at the Kremlin. He feared there might be other plotters planning to kill him and refused to leave the security of the Kremlin to seek medical attention. Doctors were brought in to treat him but were unable to remove the bullets outside of a hospital. Despite the severity of his injuries, Lenin survived. However, Lenin's health never fully recovered from the attack and it is believed the shooting contributed to the strokes that incapacitated and later killed him.
Kaplan was taken into custody and interrogated by the Cheka. She made the following statement:
My name is Fanya Kaplan. Today I shot at Lenin. I did it on my own. I will not say from whom I obtained my revolver. I will give no details. I had resolved to kill Lenin long ago. I consider him a traitor to the Revolution. I was exiled to Akatui for participating in an assassination attempt against a Tsarist official in Kyiv. I spent 11 years at hard labour. After the Revolution, I was freed. I favoured the Constituent Assembly and am still for it.
When it became clear that Kaplan would not implicate any accomplices, she was executed on September 3, 1918.

Shortly before the above mentioned events, the Anglo-Russian Convention of 1907 signed on August 31, 1907, in St. Petersburg, Russia, brought shaky British-Russian relations to the forefront by solidifying boundaries that identified respective control in Persia, Afghanistan and Tibet. This agreement seemingly ended a long-standing struggle for power that had gone on at the expense of lesser-developed regions throughout Central Asia. Though these imperial powers had experienced relatively few major conflicts between them over the previous hundred years, an underlying rivalry, otherwise known as “The Great Game”, had exacerbated the situation to such an extent that resolution was sought by the early 20th century. Many believe that these negotiations primarily served to forge a political alliance in fear of the growing strength and influence of Imperial Germany. As a consequence of the Anglo-Russian agreement, they crushed any chance of Persian autonomy. The idea of a reformed Persian state was not what these powers had in mind; they enjoyed both stability and control in Persia and planned to keep it that way. Overall, the Convention represented a carefully calculated move on each power's part in which they chose to value a powerful alliance over potential sole control over various parts of Central Asia.
Izvolsky
Nicolson









Formally signed by Count Alexander Izvolsky, Foreign Minister of the Russian Empire, and Sir Arthur Nicolson, the British Ambassador to Russia, the British-Russian Convention of 1907 stipulated the following:
1. That Persia would be split into three zones: A Russian zone in the north, a British zone in the southwest, and a neutral “buffer” zone in the remaining land.
2. That Britain may not seek concessions “beyond a line starting from Kasr-i-Shirin, passing through Isfahan, Yezd (Yazd), Kakhk, and ending at a point on the Persian frontier at the intersection of the Russian and Afghan frontiers.”
3. That Russia must follow the reverse of guideline number two.
4. That Afghanistan was a British protectorate and for Russia to cease any communication with the Emir.
A separate treaty was drawn up to resolve disputes regarding Tibet. However, these terms eventually proved problematic, as they "drew attention to a whole range of minor issues that remained unsolved".

Why the British persist in sticking its nose into Afghanistan is a mystery. This "Great Game" has been going on for some 200 years now. Is it not time for closure?
                                                              Grater Persia at the beginning of the Great Game in 1814


The Great Game or Tournament of Shadows in Russian, were terms for the strategic rivalry and conflict between the British an Russian Empires for supremacy in Central Asia. The classic Great Game period is generally regarded as running approximately from the Russo-Persian Treaty of 1813 to the Anglo Russian Convention of 1907. A second, less intensive phase followed the Bolshevik Revolution of 1917. The Great Game dwindled after the United Kingdom and the Soviet Union became Allies during World War II.
So now we have the continuing NATO-Afghanistan game. What next?
Video is an interesting view of matters. Follow the links to parts 2, 3, 4, 5 & 6. Part 4 is not pleasant viewing.

DUNCAN MACASKILL AT THE OPERA HOUSE


The last day in the studio. Last bit of pinning before transfer to the Royal Opera House. I confess for me it has been a history of repetitive strain injury, back pain and other forms of minor injury. tee hee.

DELOITTE IGNITE 2011 AT THE ROYAL OPERA HOUSE COVENT GARDEN, 3 & 4 September 2011 - Duncan MacAskill has been commissioned by Mike Figgis, who is curating Ignite this year, to create two new large works - the first one will be hung in the Box Office area, known as The Link.
The second will be worked on by Duncan at Covent Garden where he has set up a small studio and he would like to invite you to visit him - he will be there approximately from noon to 1800 hours on Saturday 3rd September and from noon to 1700 hours on Sunday 4th September 2011. It is probably worth checking with the venue to make sure of the times Duncan will be in the studio.

Daytime tickets are free and can be booked in advance on the website below or by phone on 020 7304 4000 or can be got on the door. More information about IGNITE can be found on www.roh.org.uk/deloitteignite



Monday 1 August 2011

PUNAISEIST


I have been away from the blog for a while now. The initial absence was due to an attendance at a wedding in the Yorkshire Dales. On my return to London, I have become involved in a project by the artist Duncan MacAskill, who has turned his hand at being an advanced pointillist, in point of fact a punaiseist.

Seurat

Pointillism, you may recall, is a technique of painting in which small, distinct dots of pure colour are applied in patterns to form an image. George Seurat developed the technique in 1886, branching from Impressionism. The term Pointillism was first coined by art critics in the late 1880s to ridicule the works of these artists, and is now used without its earlier mocking connotation.



A Sunday Afternoon on the Island of La Grande Jatte - 1884 
Van Gogh Self Portrait
 
Duncan has resorted to the drawing pin, the thumbtack, la punaise, Reißzwecke, puntina, chinche, pinaise etc…

A drawing pin (British English), thumbtack (American English), or push pin is a short nail or pin with a circular, sometimes domed, head, used to fasten items such as documents to a wall or board for display. Various designs and names are used. They are inserted and removed by hand, hence the terms "thumbtack" and "push pin". The term drawing pin comes from them being used to hold drawings on drawing boards.












Pins have been used on maps at least since the time of Napoleon. But the "map pin" was not patented until the early 1900's, when Edwin Moore founded his Moore Push-Pin Company.
The thumbtack was invented either by clockmaker Johann Kirsten (between 1902 - 1903) in the city of Lychen, Germany, or by Mick Clay in 1903 in Barnsley, South Yorkshire, England..
The idea was sold to Otto Lindstedt, a businessman, who received a patent for the thumbtack on 8 January 1904. The patent made Lindstedt a millionaire. Other sources ascribe the thumbtack invention to Austrian factory owner Heinrich Sachs in 1888.

For the last week I have been sticking pins. My thumb has become a tack. In due course, the oeuvres will be fully revealed.