Since
I have embarked on this doctoral journey the number of readers of this blog
appears to have declined. Not surprising. Whenever I am asked about this course
of study/action, after about 30 seconds the questioner’s eyes glaze over and
other topics of conversation are swiftly introduced. I too wonder if I will be
able to sustain interest in the subject matter for a period of three years. Not
that the project has to take three years, although the amount of reading that I
am encountering daily is quite staggering.
Fiske |
There
is a wonderful quote, which I believe comes from Professor John Fiske, who was
Professor of Communication Arts at the University of Wisconsin – Madison.
“Communication
is too often taken for granted when it should be taken to pieces.”
There
is also the work of Jacques Bertin – “Semiologie
Graphique”, in respect of which I find this:
Bertin |
[…]The basis of Bertin’s work is the
acknowledgement that (in the words of Serge Bonin) “graphics is a set of signs
that allow you to transcribe the existing relations of difference, order or
proportionality amongst qualitative or quantitative data”. Bertin restricts the field of semiology of
graphics, excluding musical notation, language and mathematics, systems “bound
to the temporal linearity”.
Among the systems aimed at the visual sense,
that, unlike hearing, is non sequential (we can look at whatever part of the
picture, but a song has a start and a finish), he discards symbolics and art,
the meanings of which depend on the relationships between the signs and are,
hence, disputable. This way what
remains finally is the “rational part” of the visual signs that can be
structured with a determined grammar.
Graphic representation has a double function for
Bertin: as an artificial memory
and as a tool for discovery,
bound to the huge power of visual perception.’[…]
There
is a lot to take in, and is it any wonder that communication of these theories
produces the glazed look; yet, still, despite very visual evidence, I believe these
matters should engender excitement. Is
the discovery of the ‘tools for discovery’ so unappealing? Perhaps in the
filmic record of this journey, the ‘huge power of perception’ may answer the
question.
This young man Miguel Bongato clearly has a view:
This young man Miguel Bongato clearly has a view:
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