The
adage ‘as one gets older the more one realises how little one knows’ is a truth
universally acknowledged. More so by people who return to education late in
life. I have been using language most of my life and consider myself to be
literate, yet it is only very recently that I have come to understand my lack
of knowledge about language and literacy and have discovered the vast numbers
of people who seem to have dedicated their professional lives to thoroughly
investigating the subject. There are linguists and semioticians galore
expounding their theories about how we use, perceive, conceive and appreciate
words and how that affects every single aspect of our lives. From this we have Critical Discourse Analysis
or CDA which is defined as an
interdisciplinary approach to the study of discourse that views language as a
form of social practice and focuses on the ways social and political domination
are reproduced in text and talk. This discipline emerges from the practice of
Critical Linguistics which in turn came out of sociolinguistics. What it all
means is that the study of ‘language’ expands into every nook and cranny
available like a rising tide, and each little pool becomes a site for further
scientific exploration- if not scientific most certainly academic - and this
little pool of performance writing is where I peer in with my net poised to
catch I know not what.
N. Fairclough |
I am now surrounded by the likes of Roz
Ivanic, Norman Fairclough, Gunther
Kress, James Paul Gee, Theo Van Leeuwen, Ruth Wodak, Trinh T. Minh-ha,
Patricia Williams, David Hargreaves, Dorthy Miell, Raymond MacDonald and many many others quite apart form
the spirits of the French coven of Foucault, Derrida, Baudrillard, Bourdieu and
Barthes. None of them is aware of this association, but there is no reason for
them to be aware of this association. In any event I come back to literacy,
literacy and identity. The ability to
use written language and the ways of
using written language are key to my proposal. My take on language is that it
includes all forms of sign, anything
that can be read, interpreted or translated by anyone. Whether one has the
competence to read words or not, we all have the ability to read symbols and
images. How the reading is achieved and what understanding is arrived at is a
personal matter. How the writing is
achieved and what understanding is intended is equally personal. In both cases
it is indicative of identity for the reader and the writer. That identity is part of the set of
circumstances surrounding the particular event or situation in which the
reader finds the writing, or the writer has displayed the writing.
Literacy in context (developed by Norman Fairclough See Language and Power (1989:25) |
From a performance-writing point of view
it begins with the text. Others may have a different view. My hope is to
investigate the various forms of display, how they affect us and the world
around us; at least that is the intention. Whether it is worth individual
examination or provides anything new is yet to be decided.
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