Tuesday, 16 April 2013

KHORAS OF DISAPPROVAL? - CONSTRUCTING IDENTITY THEORY


What identity construction theory? There are a great number of theories posited in relation to identity. It would seem the first response to the word ‘identity’ is to that which identifies the individual, those many matters which when taken as a whole correspond to what one understands to ‘be’ a specific individual. It refers to everything that goes into the construction of an identity.

Plato
In my respectful submission, the envelope containing that material can be seen as the Khôra. This term is used by Plato in the Timaeus. It is a philosophical term “indicating a receptacle, a space or an interval. It is neither being nor nonbeing but an interval between in which the "forms" were originally held. Khôra "gives space" and has maternal overtones (a womb, matrix).”
Heidegger references the khora as a clearing in which being happens or takes place. It is the Lichtung, the ‘clearing’ in our own existence”. The path leads on to the brain and ‘spatially embedded complex adaptive systems’. It is language which describes and defines these systems. Heidegger claims that Language is the House of Being. Man dwells in this house’. ‘Language is the irradiant-concealing coming to presentness of Being itself’ (Sprache ist lichtend-verbergende Ankunft des Seins selbst, in which lichtend points to Lichtung, ‘the clearing’.)
Kristeva
Julia Kristeva deploys the term as part of her analysis of the difference between the semiotic and symbolic realms, in that Plato's concept of "khora" is said to anticipate the emancipatory employment of semiotic activity as a way of evading the allegedly phallocentric character of symbolic activity (signification through language), which, following Jacques Lacan, is regarded as an inherently limiting and oppressive form of praxis. Julia Kristeva articulates the 'chora' in terms of a pre-signifying state: 'Although the chora can be designated and regulated, it can never be definitively posited: as a result, one can situate the chora and, if necessary, lend it a topology, but one can never give it axiomatic form.'
Lacan
Jacques Derrida uses "khôra" to name a radical otherness that "gives place" for being. El-Bizri builds on this by more narrowly taking "khôra" to name the radical happening of an ontological difference between being and beings (Nader El-Bizri, 2004, 2011). Derrida argues that the subjectile is like Plato’s chora, Greek for space, receptacle or site. Plato proposes that the chora rests between the sensible and the intelligible, through which everything passes but in which nothing is retained. For example an image needs to be held by something, just as a mirror will hold a reflection. For Derrida, "khôra" defies attempts at naming or either/or logic which he attempts to "deconstruct".
Derrida
Derrida's collaborative project with Architect Peter Eisenmann, in Chora L Works: Jacques Derrida and peter Eisenman, proposed the construction of a garden in the Parc de la Vilette in Paris, which included a sieve, or harp-like structure that Derrida envisaged as a physical metaphor for the receptacle-like properties of the chora. The concept of the chora, distinguished by its elusive properties, would have become a physical reality had the project been realised.

Following Derrida, John Caputo describes khôra as: neither present nor absent, active or passive, the good nor evil, living nor non-living - but rather atheological and nonhuman - khôra is not even a receptacle. Khôra has no meaning or essence, no identity to fall back upon. She/it receives all without becoming anything, which is why she/it can become the subject of neither a philosopheme nor mytheme. In short, the khôra is tout autre [fully other], very.
Which brings me back to what identity construction theory. Is it the result of deconstruction?
What can I write about writing identity?

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