Johann Alois
Senefelder (6 November 1771
– 26 February 1834) was a German actor and playwright who invented the printing
technique of lithopgraphy in 1796.
Born in Prague, he was educated in
Munich and won a scholarship to study law at Ingolstadt. The death of his
father in 1791 forced him to leave his studies to support his mother and eight
siblings, and he became an actor and wrote a successful play Connoisseur of
Girls.
Problems with the printing
of his play Mathilde von Altenstein caused him to fall into debt, and
unable to afford to publish a new play he had written, Senefelder experimented
with a novel etching technique using a greasy, acid resistant ink as a resist
on a smooth fine-grained stone of Solnhofen limestone. He then discovered that
this could be extended to allow printing from the flat surface of the stone
alone, the first planographic process in printing.
He joined with the André
family of music publishers and gradually brought his technique into a workable
form, perfecting both the chemical processes and the special form of printing
press required for using the stones. He called it "stone printing" or
"chemical printing", but the French name "lithography"
became more widely adopted. And with the composer Franz Gleißner he started a
publishing firm in 1796 using lithography.
He secured patent rights
across Europe and publicized his findings in 1818 in Vollstandiges Lehrbuch
der Steindruckerei which was translated in 1819 into French and English. A
Complete Course of Lithography combined Senefelder's history of his own
invention with a practical guide to lithography, and remained in print into the
early 20th century.
Senefelder was also able to
exploit the potential of lithography as a medium for art. Unlike previous
printmaking technique such as engraving which required advanced craft skills,
lithography enabled more accuracy and textual variety than the older engravings
that were used to produce images because the artist to could now draw directly
onto the plate with familiar pens. As early
as 1803 André published in London a portfolio of artists lithographs, entitled Specimens
of Polyautography.
In 1837, lithography had been further
developed to allow full colour printing from multiple plates, and
chromolithography was the most important technique in colour printing until the
introduction of process colour.
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